But it always had been uphill for Rothko.

但是对于罗斯柯来说艺术之路却总是充满坎坷。

Rothko's paintings seemed to give the lie to anyone accusing American culture of shallowness.

罗斯柯的作品则证明了那些谴责美国文化浅陋的人都是错误的。

Rothko's work is very labour-intensive and uses many different techniques and materials.

罗斯科的作品是非常“劳动密集型”的，使用了许多不同的技术和材料。

And it is drama that unites Mozart and Rothko.

正是戏剧将莫扎特和罗斯科联系在一起。

Anyone else would have jumped at such an offer. But not Rothko.

其他任何一个画家面对这样一份订单肯定会乐得蹦起来，但是罗斯柯没有。

Unlike Rothko's earlier, lighter hued paintings, these dark paintings reveal themselves slowly.

与罗斯科早期的浅色画不同，这些深色画慢慢地显露出来。

To really appreciate a Rothko, you need to see it in the flesh, and give it time to reveal itself.

要真正欣赏一幅罗斯科画作，你需要看到它的真身，并给它时间来展现自己。

As he started work in the spring of 1958, Rothko envisaged the Seagram murals as a kind of wordless teaching.

1958春天开工伊始，罗斯柯把西格拉姆大厦的那些壁画设想为一种无言的教学。

You may like Rothko's, you may not.

你可能喜欢罗斯科的，也可能不喜欢。

But it was more than just colour for Rothko.

但对罗斯科来说，这不仅仅是色彩。

A few hours earlier, on the same day, Rothko's body was discovered, lying on the bathroom floor of his midtown studio.

就在当日数小时前，罗斯柯的尸体被发现躺在他位于市中心的工作室浴室地板上。

$35,000 was an enormous sum in 1958, and the commission would bring Rothko's left-wing views into conflict.

在1958年，3.5万美元是一笔巨款，而委员会将罗斯科的左翼观点带入了冲突。

" The Rothko show couldn't happen anywhere else in the world, " says Aurelie Cauchy, also of the Twentieth.

“罗斯科的表演不可能在世界其他任何地方发生，”同样来自二十世纪的奥雷莉·柯西说道。

The Museum of Modern Art acquires a major set of Rothko's as do other national museums around the world.

现代艺术博物馆和世界各地的其他国家博物馆一样， 收购了罗斯科的主要作品集。

Some people have the Jackson and Pollux influence, some people have the mark Rothko amongst many other like inspired artists perhaps maybe Andy Warhol.

有些人受到杰克逊和波鲁克斯的影响，有些人受到罗斯科的影响，还有很多其他有灵感的艺术家，比如安迪·沃霍尔。

Its retrospective of Mark Rothko, an American painter, which opened on October 18th, features 115 works, many of them enormous, colour-drenched canvases.

美国画家马克·罗斯科 (Mark Rothko) 回顾展于 10 月 18 日开幕，展出了 115 件作品，其中许多是巨大的、色彩缤纷的画布。

Nietzsche's idea that, art should dramatise the terror and struggles of existence, struck a chord with Rothko, whose work aimed to invoke such primal emotions.

尼采认为，艺术应该将生存的恐惧和挣扎戏剧化，这引起了罗斯科的共鸣，他的作品旨在唤起这种原始的情感。

Friedrich Nietzsche had written about Dionysus in " The Birth of Tragedy" , and this book, was the most crucial philosophical influence on Rothko.

弗里德里希·尼采在《悲剧的诞生》中写过关于酒神的东西，而这本书对罗斯科的哲学影响最大。

Rothko, a heavy drinker, who smoked several packs of cigarettes a day and took five to six different types of medication, had suffered from depression all his life.

罗斯科是个酒鬼，他每天抽几包烟，服用五、六种不同的药物，一生都饱受抑郁症的折磨。

Seagram distilleries offered Rothko $35 000 to create 600 square feet of mural scale canvases, for the dining room of their new corporate headquarters on Park avenue in New York.

西格拉姆酒厂出价3.5万美元，让罗斯科创作600平方英尺的壁画规模的油画，为他们位于纽约公园大道的新公司总部的餐厅。