Taki feels pressured by the weight of modernity, whereas Mitsuha feels trapped in the rigid ways of old.

泷感到了现代化的压力，而三叶则感觉被困在了旧的僵化方式中。

And that same boy, Taki, wakes up in Japan, begins to touch himself and realizes, Oh my God, I have man parts down there.

而同样这个男孩，泷，在日本醒来，开始触摸自己，然后发现，我的天哪，我下面长出小底迪了。

Now that's normal for a girl her age except for the fact that Taki, a boy who also lives in Japan, is currently inhabiting her body.

有胸部这件事其实对于和她同龄的女孩来说是很正常的，但事实是，现在住在她身体裡的其实是泷，一个也住在日本的男孩。

In the film, Taki and Mitsuha also keep forgetting each other because they switch places in their dreams, and, as Mitsuha's grandma puts it: Treasure the experience.

在电影中，泷和三叶也经常忘记对方，因为他们在梦中互换了位置，而且，正如三叶奶奶所说的那样；要珍惜这段经历。

And obviously, this is what happens to Taki and Mitsuha who, after being twisted, tangled, and unraveled, defy the laws of time and space, and are rejoined once more.

显然，这就是发生在泷和三叶身上的事情，他们在被扭曲、纠缠和解开之后，无视时间和空间的法则，再次重新结合在一起。

In contrast to Taki's modern way of life in Tokyo, Mitsuha comes from a family that still lives by the old traditions that teach her about the concept of Musubi.

与泷在东京的现代生活方式不同，三叶来自一个仍然按照古老传统生活的家庭，这些传统教会了她 Musubi 的概念。

At first glance, it's a rather strange opening for the story that follows in which two people, Mitsuha from the small town Itomori, and Taki from Tokyo, discover that, for reasons unknown to them, they are switching bodies.

乍一看，这是一个相当奇怪的故事开头，接下来的两个人——来自小镇伊森的三叶和来自东京的泷——发现，出于他们不知道的原因，他们交换了身体。