Art lovers need to head over to the Tate modern.

强推艺术爱好者去泰特现代美术馆。

His works were even shown at the Tate Gallery in London.

他的作品甚至在伦敦泰特美术馆展出。

It first premiered at the Turbine Hall of the Tate Modern Museum in 2003.

这一计 于2003年在泰特美术馆（Tate Modern Museum）的涡轮大厅首次亮相。

Think the Turbine Hall at the Tate Modern, and its slides, swings and suns.

想想泰特现代美术馆的涡轮大厅，还有它的滑梯、秋千和太阳。

Six of the works in the show are owned or partially owned by the Tate.

展览上有六件作品属于或部分属于泰特美术馆所拥有。

He has lent two works from his substantial collection of Hirsts to the Tate.

他从自己可观的赫斯特作品收藏中借出了两件作品给泰特美术馆。

That's your lot. They'd do better taking a train for London and visiting the Tate.

没别的了，他们倒不如坐火车去伦敦看看泰特美术馆。

Luckily for them, works that have been anointed by the Tate command more credibility and a premium upon resale.

对他们来说幸运的是，被泰特美术馆选定的作品在转售时能赢得更高的信誉和溢价。

Second-rate 18th-century portraits, third-rate 19th-century landscapes, and a collection of modern paintings that the Tate wouldn't even store in its vaults.

二流 18 世纪肖像画、三流 19 世纪风景画，还有一堆现代绘画收藏，是泰特现代艺术馆都不肯放在地库里的。

On the 25th of February 1970, the Tate gallery in London received nine Mark Rothko canvases, a generous donation from the artist himself.

1970年2月25日，伦敦泰特美术馆收到了马克·罗斯科本人慷慨捐赠的九幅油画。

The painting is currently on view at the Tate.

【view】那幅画目前在泰特美术馆展出。

The Tate described the work as " a rectangular arrangement of 120 firebricks...altering the viewer's relationship to the surrounding space" . The public called it a pile of bricks.

泰特美术馆将这幅作品描述为“一个由120块防火砖组成的矩形结构… … 改变了观者与周围空间的关系”。公众则称其为“一堆砖头”。

In her introduction to the Tate's Hirst catalogue, Sheikha Mayassa writes that “Art—even controversial art—can unlock communication between diverse nations, peoples and histories.”

在对泰特美术馆中展出的赫斯特作品目录进行介绍时，Sheikha Mayassa这样写道：“艺术—即使是备受争议的艺术—能开启不同国家，不同民族和不同历史间的交流。”

Years later, after a series of lengthy negotiations with the Tate gallery in London, he donated nine of them to the museum, where they still hang today.

几年后，在与伦敦泰特美术馆进行了一系列漫长的谈判后，他将其中9幅作品捐赠给了泰特美术馆，这些作品至今仍悬挂在那里。

He has lent two pieces to the Tate, including an important precursor to the shark, “Isolated Elements Swimming in the Same Direction for the Purpose of Understanding (right)”.

他借出了两件作品给泰特美术馆，包括鲨鱼的一件重要前驱作品《以（正确）理解为目的同向游泳的隔离元素》。

We'll walk from St. Paul's across the Millennium Bridge to visit the Tate Modern Gallery and the attractions of London's South Bank.

我们将从圣保罗步行穿过千禧桥，参观泰特现代美术馆和伦敦南岸的景点。

So when I was invited to imagine a large-scale installation at the Tate Modern in London, I decided to make this world I'm describing a reality.

因此，当我受邀在伦敦泰特现代美术馆想象一个大型装置时，我决定让我所描述的这个世界成为现实。

It is not pretty – and the fact that the collector who has loaned the bed to the Tate paid ￡2.54 million pounds for it, will not, of course, weigh with the doubters.

场景一点都不漂亮——然而，有位收藏家不顾质疑者的声音，出价254万美元将其买走。

After his death, the Tate gallery set up Rothko's works to exact specifications by the artist, in a room of their own — a room that to this day has an uncanny silence.

在他死后，泰特美术馆将罗斯科的作品按照这位艺术家设计的具体规格摆放在一个属于自己的房间里——这个房间直到今天仍然出奇地寂静。

The Tate's turbine hall, a kind of post-industrial cathedral for art, will be given over to Mr Hirst's diamond skull, “For the Love of God” (2007), which the artist co-owns with his London gallery, White Cube.

泰特美术馆的涡轮大厅，这个有几分后工业的艺术殿堂交托给了赫斯特的钻石头骨《对上帝的爱》（2007年），它归赫斯特和伦敦画廊白立方共同拥有。