Their red ink is our black ink.

它们的赤字就是我们的盈余。

The inker then is the one that applies black ink.

接下来的墨笔工是用黑色墨水作画的人。

That in black ink my love may still shine bright.

唯一的高招是借我的墨迹显圣通灵。

Why all of their red ink is really our black ink.

为什么它们的赤字其实是我们的盈余。

He can't use blue ink. He has to use black ink.

他得用钢笔。他不能用蓝 墨水，得用黑墨水。

Protesters threw black ink representing oil over the banks sign in front of its headquarters.

抗议者将代表石油的黑色墨水倒在该行总部前的地标上。

Hands shaking, Harry unfurled the second message, which was written very hastily and blotchily in black ink.

哈利颤抖着双手，展开这第二封信，上面用黑墨水草草地写着几行字，纸上污渍斑斑。

Back in this time period accounting records were handwritten, red ink indicating a loss, and black ink a profit.

在之前这段时期，会计记录都是用手写的，红字代表亏损，黑字代表盈利。

The scratchboard is made by placing white clay on a hard surface. Thick black ink is spread over the clay.

刮板画是把白粘土放在坚硬的表面制成的。厚厚的黑色墨水涂在粘土上。

Well, it comes from the early days of printing when news and information was printed in black ink on white paper.

这个短语是早期形成的，当时消息和信息都用黑色墨水和白色纸张印刷。

Black ink was made from soot or charcoal.

黑色墨水是由烟灰或木炭制成的。

Their ink came partly from the black ink of octopuses.

它们的墨水部分来自章鱼的黑色墨水。

So now we use things like black ink mixed with water.

所以现在我们使用黑色墨水和水混合的东西。

Inside, David found a 21-page story illustrated in simple black ink.

大卫在里面发现了一个 21 页的故事，用简单的黑色墨水绘制。

But the black ink prompts your brain to project food into a void.

但是黑色墨水会促使你的大脑将食物投射到虚空中。

Printers used black ink made of a mixture of lamp soot, turpentine, and walnut oil.

打印机使用由灯烟灰、松节油和核桃油混合制成的黑色墨水。

To see the letters he sent home—sometimes with red and black ink, like pictures almost.

看他寄回家的信——有时用红色和黑色墨水， 几乎就像照片一样。

The press is the machine you use to put the black ink on the typically white paper.

印刷机是您用来将黑色墨水印在通常为白纸上的机器。

The green deepens, is infiltrated with a cosmic black ink, and the sky-writing has its meaning plain.

绿色加深，渗入宇宙墨， 天字有其平淡的意味。

On the left and right side of the painting, Xu cleverly drew in black ink to show the moving hair on the horse's mane and tail.

在画的左右两边，徐悲鸿用黑色的墨汁清楚地表现出了马晃动的鬃毛和尾巴。