Chaperon (headgear)

（重定向自Cappuccio）

Probable self-portrait by Jan van Eyck, 1433. The chaperon is worn in style A with just a patch of the bourrelet showing (right of centre) through the cornette wound round it (practical for painting in).[1]

The original form of chaperon, worn with the hood pulled back off the head. Many were shorter than this example. Morgan Bible, mid 13th century.

Léal Souvenir by Jan van Eyck, 1432. A relatively simple wool chaperon, with bourrelet, and cornette hanging forward.[1]

Philip the Good, Duke of Burgundy after Rogier van der Weyden, c. 1450, has an unusually large bourrelet, surely hollow, worn in style D.

Chaperon (/ˈʃæpəroʊn/ or /ˈʃæpərɒn/; Middle French: chaperon) was a form of hood or, later, highly versatile hat worn in all parts of Western Europe in the Middle Ages. Initially a utilitarian garment, it first grew a long partly decorative tail behind called a liripipe, and then developed into a complex, versatile and expensive headgear after what was originally the vertical opening for the face began to be used as a horizontal opening for the head. It was especially fashionable in mid-15th century Burgundy, before gradually falling out of fashion in the late 15th century and returning to its utilitarian status. It is the most commonly worn male headgear in Early Netherlandish painting, but its complicated construction is often misunderstood.

单词	Cappuccio
释义	Cappuccio 英语百科 Chaperon (headgear) （重定向自Cappuccio） Chaperon (/ˈʃæpəroʊn/ or /ˈʃæpərɒn/; Middle French: chaperon) was a form of hood or, later, highly versatile hat worn in all parts of Western Europe in the Middle Ages. Initially a utilitarian garment, it first grew a long partly decorative tail behind called a liripipe, and then developed into a complex, versatile and expensive headgear after what was originally the vertical opening for the face began to be used as a horizontal opening for the head. It was especially fashionable in mid-15th century Burgundy, before gradually falling out of fashion in the late 15th century and returning to its utilitarian status. It is the most commonly worn male headgear in Early Netherlandish painting, but its complicated construction is often misunderstood.
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